DAY 1 - 25 NOVEMBER 2025
8:00 am to 9:00 am
EPIC Symposium + Creating Connections 3.0 Registration

9:00 am – 9:30 am

Tanya Talaga
Award-Winning Journalist & Author | Seven Fallen Feathers, The Knowing
Tanya Talaga is an award-winning Anishinaabe journalist and author. Through her bestselling books, acclaimed documentaries, podcasts and powerful keynotes, Talaga aims to amplify Indigenous voices and stories across Canada and the world. Talaga is a born storyteller, who is passionate about education reform and a more inclusive and equitable future.
Talaga is of Anishinaabe and Polish descent. She is a proud member of Fort William First Nation, in the Robinson-Superior Treaty territory and her maternal family has ties to Treaty 9. Her father was Polish-Canadian. For more than 20 years, Talaga was a journalist at the Toronto Star and is now a regular columnist at the Globe and Mail. In 2021, she was part of the Globe team that won the Michener Award in public service journalism for reporting on the Catholic Church’s efforts to avoid responsibility regarding Indian Residential Schools, and the pursuit of an apology from Pope Francis. She has been part of teams that won two National Newspaper Awards for Project of the Year while at The Star.
Talaga is the author of three national bestsellers. Her first book, Seven Fallen Feathers, won the 2018 RBC Taylor Prize, the Shaughnessy Cohen Prize for Political Writing, and the First Nation Communities Read Award: Young Adult/Adult. Her second book, All Our Relations: Finding a Path Forward, was a finalist for the Hilary Weston Writers’ Trust Nonfiction Prize and for the British Academy’s Nayef Al-Rodhan Prize for Global Cultural Understanding. Her third book, The Knowing, retells the history of this country as only she can—through an Indigenous lens, beginning with the life of her great-great grandmother Annie Carpenter and her family, as they experienced decades of government- and Church-sanctioned enfranchisement and genocide. The Knowing is a seminal unravelling of the centuries-long oppression of Indigenous People that continues to reverberate in these communities today. It is the focus of a four-part, CBC docuseries that Tanya co-directed and co-wrote, which was awarded the 2024 Playback’s Directors of the Year and Best Writers at the 2025 Canadian Screen Awards.
Talaga is the founder of Makwa Creative Inc. a production company formed to elevate Indigenous voices and stories through podcasts and documentary films, including the Canadian Screen Award nominated War For The Woods, and Mashkawi-Manidoo Bimaadiziwin Spirit to Soar that received the ”Audience Award” for best mid-length documentary at the Hot Docs Canadian International Film Festival. In 2025, the documentary, Ni-Naadamaadiz: Red Power Rising (director – Shane Belcourt), premiered at the Toronto International Film Festival. Tanya co-wrote and produced this story of a youth-led Indigenous land reclamation in Anicinabe Park ON. She is also the executive producer of the podcast, Auntie Up! made for Indigenous women by Indigenous women. Talaga holds five honorary doctorates. She was the 2017/2018 Atkinson Fellow in Public Policy, and in 2018, was the first Anishinaabe woman to be the CBC Massey Lecturer. Talaga is the recipient of the 2025 Canadian Journalism Federation Tribute which recognizes media luminaries who have made an exceptional journalistic impact on the international stage.
CBC, DOC Institute & BIPOC TV & Film
SPONSORED BY : 
9:30 am to 10:30 am
This opening discussion invites established changemakers to reflect on how ideas once seen as radical or disruptive are now shaping real initiatives, funding programs, and institutional practices. It sets the tone for future-forward conversations at EPIC.
Moderator

Lalita Krishna
Lalita Krishna has been producing and directing documentaries through her company, for over 20 years, In Sync Media. Her work has been featured on all major networks and showcased at film festivals worldwide. Lalita’s documentaries have received acclaim for highlighting important issues and often serve as a catalyst for social change.
Lalita has been a keynote speaker at several conferences and has led media literacy workshops She has been invited to present at Co-Pro-Documentary Marketing Foundation, Tel Aviv, Durban International Film Festival, and at Silver Docs, Washington, DC.
Lalita is the writer and producer of Bangla Surf Girls, which had its world premiere at the Hot Docs International Film Festival and has been screened at over 50 international festivals, winning 18 international awards. Her documentary Fear of Dancing, a co-production between Quebec and Ontario, follows a chorophobe as he travels the globe confronting his worst nightmare; it premiered on the Documentary Channel and CBC’s Gem. Additionally, she produced Untying the Knot, which chronicles the journey of a survivor of a brutal domestic assault and premiered on CBC’s Documentary Channel.
In addition to multiple awards for her productions, Lalita is also the winner of the 2021 Don Haig award given by Hot Docs to a producer who has made significant contribution through their body of work, the 2013 Crystal Award for mentorship given by WIFT(Women in Film and Television), the Trailblazer(2012) award given by the Reel World Film Festival and is the recipient of the Dream Catcher award given by the Hope and Dreams Festival NJ, for using her craft to better humanity.
Lalita is a passionate advocate for diversity and representation in media, dedicating countless volunteer hours as the Co-Chair of the CISF, as the former Co-Chair of the Hot Docs International Film Festival and as the former Co-Chair of DOC Ontario, which operates the DOC Institute.
For more details of her productions please go to www.insyncmedia.ca
Panelists

John Seongho Choi
JOHN SEONGHO CHOI is an award-winning Canadian Korean filmmaker with over 25 years of experience as a filmmaker. His work has been featured on major platforms such as Netflix Originals, Prime, YouTube Originals, CBC, NHK Japan, SBS Australia, and more. Throughout his career, John has worked on a wide range of projects, from independent films to Hollywood studio productions, commercials, and music videos. He is passionate about filmmaking and brings a unique, authentic, and meaningful perspective to every project.
John’s directorial accomplishments were recognized with the 2024 Canadian Screen Award for Best Direction – Documentary Series for “DARK SIDE OF COMEDY.” His other recent projects include the A&E series “THE ELEVEN,” CBC The Nature of Things “Beavers From Above” and feature documentaries “LOST & FOUND,” “K-POP EVOLUTION,” and the Netflix Original series “THE RAINCOAT KILLER.”

Ngardy Conteh George
Ngardy Conteh George is an award-winning Sierra Leonean-Canadian director, producer, and editor celebrated for her compelling storytelling and commitment to elevating underrepresented voices, particularly from the African Diaspora. As co-founder of OYA Media Group, she creates thought-provoking content that deepens understanding of diverse cultural experiences. Her recent works include the critically acclaimed docu-series’ Black Community Mixtapes,’ which won three Canadian Screen Awards in 2024, and ‘Bam Bam: The Sister Nancy Story,’ which premiered at the Tribeca Film Festival. She also produced the two-time Canadian Screen Award-winning documentary ‘Mr. Jane and Finch’ (CBC) and ‘The Flying Stars’ (CBC, NHK, DR, Al-Jazeera). In 2024, she received the CMPA’s Kevin Tierney Emerging Producer Award.

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11:00 am to 12:00 pm
Join us for an insightful panel discussion with some of BIPOC TV & Film’s alumni as they talk about the role BIPOC TV & Film’s programs have played in their careers, as well as the career paths that have led them to work on various CBC projects, from Scripted to Unscripted and Kids programming.
Moderator: Nathalie Younglai
Nathalie Younglai
Is a writer and director with a passionate focus on marginalized communities and underrepresented stories. She was showrunner on Hello (Again) (CBC Gem), which she co-created with Simu Liu, and writer/Co-Executive Producer on Coroner (CBC/CW). Notable credits include Recipe for Romance (CW/Crave), The Spencer Sisters (CW/CTV), Ruby and the Well (Family Channel) and helped develop Essex County (CBC) and Gangnam Project (CBC).
Nathalie founded BIPOC TV & Film, a nonprofit advocating the meaningful representation of Black, Indigenous and People of Colour in front and behind the camera.
Nathalie took her parents to the 2019 Daytime Emmy’s after being nominated for her writing on Dino Dana. She was the honoured recipient of the 2020 CSA Humanitarian Award; the WGC Alex Barris Mentorship Award; and named one of NOW Magazine’s 2020 Trailblazers; and The Globe and Mail’s 22 Changemakers in Canadian Film and TV in 2022.
Panelists: Robina Lord Stafford, Richard Young and Camille Lawrence

Robina Lord-Stafford
Robina Lord-Stafford is an award-winning and CSA-nominated Screenwriter and Producer who has established herself as a powerful voice in Canadian television. A Creator and Showrunner of CBC’s hit series, SAINT-PIERRE, her impressive writing and producing portfolio also spans multiple acclaimed series such as WILD CARDS, PRETTY HARD CASES, MOONSHINE and BLOOD & WATER. Lord-Stafford has demonstrated her commitment to crafting compelling stories while championing meaningful diversity and representation both in front of and behind the camera.
An alumnae of BIPOC TV&FILM/CBC/CFC’s Showrunner Catalyst Program, and recognized as one of REEL World’s Emerging 20, Lord-Stafford is dedicated to paying forward her Industry expertise. She has mentored diverse and female-identifying screenwriters through several prominent initiatives, including the Pacific Screenwriting Program, BIPOC TV&FILM, Canfro’s Showrunner Bootcamp, and The Writers Lab.

Richard Young
From a South Asian (Indo-Caribbean) background, Richard Young is a two-time Canadian Screen Award-winning writer and actor. Writing credits: “Overlord and the Underwoods” (CBC/Nickelodeon), “Dino Ranch” (CBC/Disney+), “16 Hudson” (TVO), “Sudden Master” (OMNI) & “Maternal” (CBC Reflections). Writing accolades: Coverfly RED List, ScreenCraft Sci-Fi and Fantasy Screenwriting Competition Finalist, JFL ComedyPRO Pitch Finalist & Austin Film Festival Screenplay Semifinalist. “Rising Tide”, the short film he wrote that won the US-based Tasveer-Netflix Film Fund, will shoot in 2026.
Acting credits: “Malcolm In The Middle: Life’s Still Unfair” (Disney+), “Saint-Pierre” (CBC), “Allegiance” (CBC), “Law & Order Toronto: Criminal Intent” (CityTV), “Transplant” (NBC) & “Avatar: Frontiers of Pandora” (Ubisoft).
Richard serves as an AFBS Governor and served as the ACTRA Toronto Treasurer, focusing on diversity and inclusion. Before disappointing his immigrant parents by pursuing the arts, Richard earned a BSc. (Honours) in Psychology (Queen’s University) and an MBA (York University: Schulich).

Camille’s original work has earned top recognition, including a Gold Telly Award for The Black Business Catalyst Project, spotlighting entrepreneurship, and a Gold Summit International Award for Period Conversations, a campaign tackling menstrual stigma through education. Her favourite place to be is beside the camera interviewing or developing fresh ideas. Camille is a proud alum of the 2023 BIPOC TV & Film Unscripted Producers Lab.

With over 20 years in the entertainment industry, Darrell Faria is a triple threat: director, writer, and actor. He WON THE 2025 CANADIAN SCREEN AWARD for Best Direction for his work on THIS HOUR HAS 22 MINUTES. Some of his director credits include: THE GREAT CANADIAN POTTERY THROWDOWN, TALLBOYZ and 2nd Unit on ROAST BATTLE CANADA.
Darrell has also written for TALLBOYZ, HOT WHEELS, HOLT RENFREW, a TUBI ORIGINAL FEATURE and interstitial sketches for award shows incl. the CSA’s. He has completed The Second City Writer’s Conservatory and has developed/mounted his own classes in writing and directing comedy. In 2020, he won the award for BEST COMEDY PILOT at T.O. SKETCHFEST presented by CBC.
In production, Darrell has worked on features such as SUICIDE SQUAD and the IT movies, plus countless commercials and music videos incl. DRAKE, DJ KHALED, TATE McCRAE and more.
Darrell’s recent work includes directing the WINNIPEG COMEDY FESTIVAL, 22 MINUTES and PEOPLE OF COMEDY, a comedy documentary about the longest running BIPOC comedy show in Canada!
At the 2025 CSA’s Darrell received three nominations for his directing on POTTERY, STILL STANDING, where his win was for his work on THIS HOUR HAS 22 MINUTES.
SPONSORED BY :
1:00 pm to 2:00 pm
This panel spotlights movers and shakers who are transforming Canada’s screen-based industries through equity-driven and community-centred approaches. These changemakers are innovating, reshaping the system and creating alternative pathways, centring accessibility and inclusion in their work.
The discussion will explore how intersectionality informs equity work and how new organizations and models address disability inclusion, and accessibility by redefining what sustainable, inclusive industry change can look like.
The panel will include the Disability Screen Office (DSO) as a new organizational model that centres disabled creatives and advocates structural reform. The newly established Muslim Media Hub that empowers Muslims in the media industry and Occupy All Spaces uplifting Black artists in Newfoundland and Labrador, fostering diversity and representation in the film industry.
Moderator

Yazmeen Kanji ( Films With A Cause – Toronto)
Yazmeen Kanji is an award-winning Muslim Indo-Caribbean filmmaker, equity and inclusion consultant, and the founder of Films With A Cause, a consultancy dedicated to fostering authentic on-screen representation. Formerly the Advocacy and Outreach Lead at BIPOC TV & Film, Yazmeen has advanced systemic change across Canada’s screen industry.
As a fellow of Inspirit Foundation’s Narrative Change Lab, she helped develop a framework for narrative change focused on the impact potential for Muslims in media. Through Films With A Cause, she launched Back to Ones at CMPA’s 2025 Prime Time—a groundbreaking guide on leveraging cultural consultants to create resonant, economically impactful stories. Funded by Inspirit Foundation, with BIPOC TV & Film as a community partner, Back to Ones is endorsed by the Disability Screen Office and the Writers Guild of Canada. Yazmeen continues to lead national discussions on narrative change, advocating for specific, meaningful portrayals of equity-deserving communities.
Panelists

Ife Alaba (Occupy All Spaces – Newfoundland)
Ife Alaba, a dynamic professional in the entertainment and film industry, currently resides in St. Johns. With a multicultural background being born in Nigeria and growing up in South Africa, Ife has made significant contributions to productions, specializing in background casting for both local and network shows. Her discerning eye for talent, evident both on and off camera, has crafted authentic and inclusive portrayals in storytelling. In addition to her independent film work, Ife serves as a journalist for CBC NL. Her role involves not only providing insightful coverage but also contributing to the rich narrative of CBC NL. As the Director of the Occupy All Spaces, Ife passionately advocates for equal opportunities for black creatives in Newfoundland & Labrador. She is also on the board of WIFT-AT, where she is one of two that represent Newfoundland and Labrador. She is an 8-time Music NL nominee, Ife’s versatile talents extend to the music scene, showcasing her diverse artistic contributions.

Safiyyah Ally (Muslim Media Hub – Mississauga)
Safiyyah Ally is a creative producer, writer, and founder of Muslim Media Hub, an organization advancing Muslim representation and cultivating a new generation of storytellers in Canada’s film and media industry. Through training labs, original productions, and partnerships with broadcasters and funders, she’s helping build the infrastructure for Muslim voices to thrive on and off screen. Safiyyah holds a PhD in Political Science from the University of Toronto and brings a deep understanding of culture, identity, and social change to her work. Her vision is simple but bold: a Canadian media landscape where Muslims are not just included, but influential in shaping the stories that define us all.

Prasanna Ranganathan (Disability Screen Office –Toronto)
In his nearly 20 years as: a human rights lawyer; diversity, equity, inclusion, accessibility, and belonging (DEIAB) advisor; filmmaker; speaker; and writer, Prasanna Ranganathan works tirelessly to build a more accessible, inclusive world for communities across all dimensions of diversity. As the founder of Prasanna Ranganathan Consulting (a DEIAB consultancy), the former Head of Diversity and Belonging at Shopify, and a human rights lawyer with experience at the Department of Justice Canada, Federal Judicial Affairs Canada, the Independent Street Checks Review, the Saskatchewan Human Rights Commission, and the United Nations Development Programme, Prasanna has embedded DEIAB best practices into organizations, programs, and institutions in over 15 countries worldwide.
His volunteer work as a Founding Board Member of the Disability Screen Office (which seeks to make Canada’s screen industry more accessible and inclusive), a past board member of Inside/Out Film Festival (Canada’s largest 2SLGBTQIA+ film festival), and his previous work on the Justice Canada Advisory Committee for Persons with Disabilities exemplify his commitment to DEIAB and inclusive storytelling. Recognizing the power of storytelling to drive change, Prasanna is a Consulting Producer on Born for Business, a 10-episode docuseries on disabled entrepreneurs (airing on Crave Canada and NBC Peacock) and the co-author of the cookbook Made with Prema raising funds for the Canadian National Institute for the Blind.
He is a seasoned speaker, providing the annual Toronto International Film Festival (TIFF) inclusion and accessibility workshop, launching the Reimagine Lecture Series at the British Film Institute with a keynote on accessibility, delivering the Sundance Institute’s anti-bias and accessibility learning programming, speaking at the TIFF Industry Conference, and serving as a Guest Lecturer at the University of Southern California Annenberg Inclusion Initiative on inclusive storytelling. Prasanna is the recipient of various awards including, most recently, the David C. Onley Award for Leadership in Accessibility presented during the 2024 Legacy Awards from the Lieutenant Governor of Ontario.
2:30 pm – 3:20 pm
How do current funding models perpetuate inequities? Are BIPOC filmmakers receiving meaningful access to development and long-term sustainability? This conversation will take stock of Equity frameworks within existing funding models – are we seeing the benefits of investments in diverse communities?
Moderator :

Laura Friedmann
Laura Friedmann is a Colombian-Canadian producer working across film, television, and XR media. Her work explores the intersection of personal narrative with collective memory, identity, and cultural experience, driven by a commitment to storytelling that uplifts and inspires. As co-founder of Wrapped Productions, Laura spearheads the creation of compelling content spanning features, series, documentaries, children’s content, and podcasts. Her award-winning work has been featured on CBC, Prime Video, Tubi TV, YesTV, CGoodTV, CBC Gem, the United Nations, and other global platforms. Laura has championed and advocated for women and diverse creatives through training and community initiatives including Listo Calisto, Wrapped Productions Film Lab, Creative Sovereignty Lab, Native Film & Storytelling Institute, The Big Pitch @TIFF, and Breakthroughs Film Festival.
Panelists :



Lalita Krishna
Lalita Krishna has been producing and directing documentaries through her company, for over 20 years, In Sync Media. Her work has been featured on all major networks and showcased at film festivals worldwide. Lalita’s documentaries have received acclaim for highlighting important issues and often serve as a catalyst for social change.
Lalita has been a keynote speaker at several conferences and has led media literacy workshops She has been invited to present at Co-Pro-Documentary Marketing Foundation, Tel Aviv, Durban International Film Festival, and at Silver Docs, Washington, DC.
Lalita is the writer and producer of Bangla Surf Girls, which had its world premiere at the Hot Docs International Film Festival and has been screened at over 50 international festivals, winning 18 international awards. Her documentary Fear of Dancing, a co-production between Quebec and Ontario, follows a chorophobe as he travels the globe confronting his worst nightmare; it premiered on the Documentary Channel and CBC’s Gem. Additionally, she produced Untying the Knot, which chronicles the journey of a survivor of a brutal domestic assault and premiered on CBC’s Documentary Channel.
In addition to multiple awards for her productions, Lalita is also the winner of the 2021 Don Haig award given by Hot Docs to a producer who has made significant contribution through their body of work, the 2013 Crystal Award for mentorship given by WIFT(Women in Film and Television), the Trailblazer(2012) award given by the Reel World Film Festival and is the recipient of the Dream Catcher award given by the Hope and Dreams Festival NJ, for using her craft to better humanity.
Lalita is a passionate advocate for diversity and representation in media, dedicating countless volunteer hours as the Co-Chair of the CISF, as the former Co-Chair of the Hot Docs International Film Festival and as the former Co-Chair of DOC Ontario, which operates the DOC Institute.
For more details of her productions please go to www.insyncmedia.c
3:20 pm -3:30 pm
NAGAMO
Nagamo is proud to be the first Indigenous-operated and owned music publishing company dedicated to connecting producers, media creators, and Indigenous composers. Our mission is to ensure that Indigenous stories and voices are represented. Nagamo Music serves as a centralized hub for accessing Indigenous music for media projects, believing that multi-media should have the opportunity to incorporate Indigenous soundtracks. We’ve created
an innovative platform for creatives to collaborate with Indigenous composers for the first time. Our expanding roster now includes 50+ talented composers and nearly 4,000 tracks from diverse nations across Canada, including British Colombia, Alberta, Manitoba, Ontario, and Quebec. Their work spans a wide array of musical styles, blending contemporary and traditional sounds such as underscore, orchestral, electro-pop, folk, experimental, hip hop, flute, Inuit throat-singing, and traditional pow wow music.

Nigel Irwin
Nigel Irwin is a Cree composer and musical artist based in Toronto. As Creative Director of Nagamo, Irwin has helped build the first production music-library created entirely by Indigenous artists. When he isn’t commissioning new works, Irwin is composing for films, documentaries, commercials, and shorts. Some credits include Nika and Madison, Acting Good, The Nature of Things, and Shadow of the Rougarou. Through his own artist music, Irwin became the 2019 recipient of the Bullseye Music Award through imagineNATIVE and Slaight Music. With OAC, Canada Council, and FACTOR grant funding, he released his first LP in 2025, titled Caught In A Dream. Since releasing songs in 2014, Irwin’s music has appeared on CBC, SiriusXM, ElementFM, and Zoomer Radio, as well
as several commercials and tv spots.
3:30 pm – 4:00 pm

Big Tones
Anthony Pasqua aka Big Tones is an Indigenous Recording Artist born in Surrey, BC. He grew up in Regina, SK and is now residing in Saskatoon, SK. He has heavy ancestral ties to Treaty 4 Territory coming from Pasqua First Nation #79. Breaking the cycle of intergenerational trauma, Big Tones uses music as an outlet, finding therapeutic release in storytelling through songwriting. Big Tones is a versatile artist, captivating performer and artist mentor. With a focus on old school hip hop sound, his powerful and soothing voice with intricate flows keeps listeners intrigued lyric after lyric. Big Tones is building on the momentum which has grown around his artistry and music over the last year. His single “Don’t Cry” reached #1 on the Indigenous Music Countdown and his track “Moccasin Flats” also broke the top 10. Big Tones is an award winning artist, winning song of the year at the Saskatchewan Indigenous Music Association Awards for this new single “Shine”. Big Tones was also nominated for Hip Hop Artist of the year and Male Artist of the Year at the 2025 Saskatchewan Indigenous Music Awards. This follows his recent nominations at the SaskMusic Awards for Album of the year, Hip Hop Artist of the Year and Music Video of the Year. Big Tones has showcased at the BreakOut West, the International Indigenous Music Summit and is set to perform at Come Together in Toronto in November.
SPONSORED BY : 
4:00 pm to 5:00 pm
Sharing findings and best practices to better support Black creatives in film and television.
Moderator:

Kadon Douglas
Kadon Douglas is the Executive Director at OYA Black Arts Coalition and an accomplished communications and stakeholder engagement strategist with over a decade of experience in Canada’s media and nonprofit sectors. Recognized as one of the Top 25 Most Influential People in Canadian TV by The Globe and Mail (2023), Kadon has held positions at BIPOC TV & Film, WIFT Toronto, Toronto Metropolitan University, and has served on the boards of Work In Culture, Reelworld Film Festival, and the Canadian Independent Screen Fund for Black and POC Creators. She has also contributed to national roundtables and policy consultations on authentic storytelling, AI and cultural data, and equity, diversity, inclusion, and accessibility (EDIA) in the screen industries.
Panelists :

Andre Kelly
Andre Kelly is a Jamaican-Canadian actor and writer from Mississauga, Ontario. Known for We Three Queens (2023), Nobody Sees Me Like You Do and Cycles (2024), he holds a BA from the University of Alberta and is a graduate of Humber College’s Acting for Film & TV program. Kelly’s creative ventures extend onto both sides of the camera as the founder of the House of Grechen Inc., a production studio dedicated towards shorts, series and feature films. His work is largely inspired by his intersections of Afro-diasporic heritage, helping him to contribute informed yet entertaining narratives towards the global entertainment industry. Kelly is now in post-production on his latest short Letter of Intent, a sports-thriller he stars and co-wrote–supported by the SOCAN foundation.

Taelor Lewis-Joseph
Taelor Lewis-Joseph is a dynamic storyteller whose work thrives at the intersection of performance and production. With experience supporting major film and television sets and directing her own creative projects, she brings both artistic vision and professional on-set expertise to every collaboration. Her directing credits include the award-winning digital series How T.O. Art, the short Band Practice, and projects for CBC Gem. Taelor has also contributed to acclaimed productions such as Interview with the Vampire, Children Ruin Everything, and Run the Burbs as an Office Production Assistant.

Olly Azeez
Olly Azeez is an award-winning emerging director. His work explores the different aspects of life through unique relationships and entertaining settings. Through OBAC and its Emerging Filmmakers Program, he facilitates continuous learning for black filmmakers in the industry.

Dr. Tabi
Dr. Tabi completed his doctoral degree in Curriculum, Teaching and Learning at OISE/University of Toronto. He has also successfully completed a post-doctoral appointment through the Black Child and Youth Studies Network at the University of Windsor. Further, Dr. Tabi holds an M.Ed degree in Human Development and Applied Psychology and has extensive teaching experience in sociology, community education and youth studies.
Following sessions below require an additional sign up
Join us for an informal roundtable meet-and-greet with CBC producers, CBC Entertains including Factual & Entertainment, Scripted Comedy, Drama & Films and Kids representatives from CBC’s Business and Right’s department.
1:00 pm to 1:40 pm, 2:30 pm to 3:10 pm
Meet the CBC Roundtables : Factual & Entertainment
Join us for an informal roundtable meet-and-greet with CBC production executives from CBC Entertains including Factual & Entertainment, Scripted Comedy, Drama & Films and Kids along with representatives from CBC’s Business & Rights department.

Christian Hamilton
With 25 years of experience in the Canadian media industry, Christian has established a reputation for managing large-scale projects across film and television. As a key member of the CBC’s Unscripted team, Christian manages the development process across all unscripted strands including factual entertainment, CBC Originals, CBC Short Docs, The Nature of Things, The Passionate Eye, and documentary Channel. Before joining the CBC in 2008, Christian was a coordinator for feature films, organizing large crews with intricate scheduling and shooting challenges.

Yasmine Abbasakoor
As Executive in Charge of Unscripted Development Yasmine works with independent producers to develop factual and documentary programming for CBC. She also serves as a production executive on Bollywed & Locals Welcome. Prior to joining the CBC she worked within Canada’s independent production sector for 20 years.

Peter Schneider
Peter is a Business & Rights Manager for CBC, English Services where he works with the production teams for unscripted factual and documentary production to negotiate commissioning, coproduction, and format agreements with Canadian and international partners.
Prior to CBC, Peter was Vice-President of Business & Legal Affairs for Cineflix Productions where he managed the Toronto Business and Legal Affairs department for this global media player and negotiated Cineflix’s broadcast licenses, talent agreements and development IP and key rights option and acquisition agreements with partners AETN, CBC, Discovery, Hallmark, Lifetime, National Geographic, Netflix, Oxygen, CNBC, BBC and ITV, among others. As well, he advised on the full spectrum of production activities and provided counsel to Cineflix’s distribution division.

Monique Van Remortel
As the Senior Director of Business & Rights for CBC Unscripted Programming, Monique oversees the business deals for the development and production of CBC and the Documentary Channel’s commissioned documentaries as well as CBC’s commissioned Factual programming. Monique’s team works closely with independent producers to help navigate the complexities of the Canadian Media Fund, tax credits and other third party funds to ensure a project’s budget, financing structure, and rights package make sense for the broadcaster in a rapidly changing media landscape.
Prior to joining the CBC in 2004, Monique was in a boutique entertainment and intellectual property law practice where she represented writers, artists, photographers, producers, and talent. Monique has been working in the arts and entertainment/media industry for over 25 years.

Jessica Schmiedchen
Jessica oversees development of original content and formats in the genres of factual, entertainment and documentary series at CBC and CBC Gem. She is responsible for sourcing the best new formats from around the world, and working with the independent production community in Canada to bring their original ideas to life. Since joining the Unscripted team in 2011, Jessica has led development on popular and award-winning series including Stuff the British Stole, Race Against the Tide, Best In Miniature, Canada’s Ultimate Challenge, Great Canadian Pottery Throw Down, Bollywed, Ghosting and this year’s much anticipated series The Assembly, Must Love Dogs and Cirque Life
1:00 pm to 1:40 pm, 2:30 pm to 3:10 pm
Meet the CBC Roundtables : Drama and Comedy

Dennis Chan
Dennis Chan is a Development Manager at CBC Scripted: Comedy & Drama. A Toronto Metropolitan University Film Studies graduate, he brings expertise in development, creative guidance, and content delivery, and has served on industry panels and juries championing racialized and emerging creators.

Greig Dymond
As Director of Development for CBC Comedy, Greig Dymond is responsible for driving and overseeing the quality and diversity of the network’s comedy-development slate. Since 2013, Greig has served as Development Executive and/or Production Executive on a variety of CBC Comedy series, including Schitt’s Creek, Baroness von Sketch Show, Son of a Critch, TallBoyz, Run The Burbs, Workin’ Moms, This Hour Has 22 Minutes, and stand-up festival programming from Vancouver, Winnipeg, Montreal, and Halifax.

Sarah Quan
As the Executive in Charge of Development for CBC Comedy, Sarah is responsible for cultivating the network’s original scripted comedy series development slate. Most recently she oversaw the development of Small Achievable Goals and One More Time for the network. Prior to joining CBC, she served as Creative Executive at Northwood Entertainment (Anne With an E, The Grizzlies), developing North of North and overseeing the creative and logistical development of narrative series and features. Sarah started her career as a coordinator for independent film and digital series (How to Buy a Baby, Detention Adventure). She also volunteers on a number of initiatives including co-facilitating AccessCBC, an initiative for creators with disabilities and as an advocate for the Academy Executive Residency Program. As an award-winning producer and creative executive, Sarah is dedicated to discovering and nurturing underrepresented voices with fresh perspectives and producing work that changes culture and explores stories that have yet to be told.

Lea Marin
Lea Marin is the Director of Development, Drama, for the CBC, and is responsible for
driving and overseeing the quality and diversity of the drama development slate
including recent productions, Saint-Pierre, Wild Cards and Allegiance. A graduate
of the Canadian Film Centre’s Producers’ Lab, prior to joining the CBC, Lea was a
Senior Producer with the National Film Board of Canada where she developed and
produced several documentaries and interactive projects. Some of her credits
include Ever Deadly co-created by Tanya Tagaq & Chelsea McMullan, and Charles
Officer’s Unarmed Verses.

Zach Marcovici
Zach Marcovici is currently Executive in Charge of Development for CBC Drama, where he is responsible for developing high quality original drama series. Prior to joining CBC, he was Director of Development & Production at BentFrame Film & TV, overseeing a slate of female-driven TV projects for the Canadian and international market, with a focus on spotlighting LGBTQ+ and diverse stories and voices. Zach also previously worked in development and production at Back Alley Films, serving as Associate Producer on CORONER (CBC/The CW), and began his career at Vanguarde Artists Management.

SJ Choi
SJ is a Development Manager in the Business & Rights team at CBC. She handles development agreements and budgets for new scripted / unscripted / kids programming that CBC puts into development. SJ has a legal background and is an entertainment lawyer licensed in Ontario.

Paul Dollar
In his role as a business manager, Paul reviews production financing proposals and negotiates CBC licence agreements with independent producers for Scripted programs. This work also involves working closely with producers on third-party financing applications, including CMF and private funds. Prior to joining CBC, he held a variety of positions at Telefilm Canada in Toronto and worked as an analyst on International Co-productions at Telefilm in Montreal.

Susan Kelly
Susan Kelly is the Senior Director of Business & Rights for CBC’s Scripted & Acquired Programming. She leads the business groups that negotiate development and production deals with the independent producers who produce original scripted programs for CBC, such as Schitt’s Creek, Son of a Critch, Murdoch Mysteries, Heartland, Dino Ranch and Kim’s Convenience as well as all of CBC’s acquired programming and feature films. She has a background in law, having started out her career at a large Bay Street law firm. She has been in the film and television industry for over 25 years; prior to joining CBC in 2002, she worked at a private broadcaster, at a boutique entertainment law firm representing producers and talent, and in-house at a leading-edge interactive television production shop.

Sadia Mohamed
Sadia Mohamed is a manager for scripted and unscripted programming in the Business & Rights group. Sadia’s area of focus is development projects. Sadia’s day-to-day functions include helping independent producers prepare and finalize development budgets and negotiating development agreements between the independent producers and the CBC. Sadia also helps to facilitate third-party development funding to maximize a development project’s financing.
1:00 pm to 2:00 pm, 2:30 pm to 3:30 pm
Meet the CBC Roundtables : Films

Gosia Kamela
As Head of CBC Films, Gosia oversees the Scripted Original Feature Film slate for CBC and
GEM with recent titles including Deaner ’89, BlackBerry, Riceboy Sleeps, and Bones of
Crows. Previously, as an Executive at Bell Media, Gosia was responsible for the
development and production of original scripted series across a large portfolio of channel
brands including CTV and Crave. A few notable series credits include Orphan Black,
Transplant, and Degrassi. In that role, Gosia also oversaw the Canadian Features slate for
Crave. Prior to joining Bell Media, Gosia was a Producer at True West Films working in both
documentary and scripted features including cult classic It’s All Gone Pete Tong.

Meg Berkovitz
Meg Berkovitz is the Senior Manager of Acquisitions and Feature Films on the Business & Rights team at CBC. In this role, Meg oversees the deal negotiations for both acquired content and feature films for all CBC platforms. In the past, Meg also served as a Development Manager with Business & Rights, responsible for development deals for independent productions at the CBC. Prior to her time at CBC, Meg practiced as a corporate lawyer at a large national law firm.
1:00 pm to 2:00 pm, 2:30 pm to 3:30 pm
Meet the CBC Roundtables : Kids

Drew Mullin
Drew Mullin is an international award-winning writer, director and producer who joined CBC Kids team as an Executive in Charge of Production in 2016. At CBC, Drew has overseen several broadcast and digital series including Dot, Kingdom Force, Big Blue, Dino Ranch, Mitten & Pants, Andrew, TRALALA, Addison, Napkin Man, Game Savers, Let’s Go Bananas, and Snapshots (2018 International Emmy winner). Drew also executive produces the relaunch of CBC Street Cents on TikTok and Youtube.

Swin Chang
Swin Chang is the Executive in Charge of Development and Production for CBC Kids. She works with the independent production community to seek out, create and curate preschool, school aged and tween content for CBC TV and CBC Gem. In this role, she focuses on development and acquisitions, and oversees production of selected projects such as Jeremy and Jazzy, Gangnam Project, Bestest Day Ever With My Best Friend and Aunty B’s House with independent producers as well as the CBC Kids in-house preschool flagship series, Hey Joojo!

Marie McCann
Marie’s career in children’s media began at TVOntario as a writer/producer where she helped create Gisele’s Big Backyard and included a stint at CBC in the early 2000s where she launched the in-house kids’ programming brand then known as Kids’ CBC.
Marie McCann is the Senior Director of Children’s Content for CBC Kids where she oversees the talented teams who entertain and inspire kids in Canada with an array of engaging media across broadcast, streaming, the web and third party platforms. Marie oversees development, production and acquisition of animated and live-action series for preschool, school age and tween for CBC Television, CBC GEM and on YouTube. Since taking the lead at CBC Kids in 2017, she has championed the growth of in-house production, including Kidscreen award-winning Studio K, CBC Kids News and Street Cents. A creator and broadcaster for over 30 years, Marie is passionate about kids media and the impact it can have on children’s lives and the world we all live in.

Lisa Cinelli
It has been a wild ride (in a good way) working in Kids content for the past 25 years. At CBC Kids, I am lucky enough to work on some classic award winning series both in live action and animation. Most recently, as Executive in Charge of Production on Macy Murdoch, season 2 (you read that right, William Murdoch has a great, great, great granddaughter), Toopy & Binoo – Fabulous Adventures (classic series reboot) and Dino Ranch; Island Explorers (premiere Nov 8)

Sadia Mohamed
Sadia Mohamed is a manager for scripted and unscripted programming in the Business & Rights group. Sadia’s area of focus is development projects. Sadia’s day-to-day functions include helping independent producers prepare and finalize development budgets and negotiating development agreements between the independent producers and the CBC. Sadia also helps to facilitate third-party development funding to maximize a development project’s financing.

Ema Worsley
Ema Worsley is a manager in the Business & Rights department at CBC and oversees the commissioned programming and acquisitions deals for preschool, school age and tween content on all CBC Kids platforms. Ema works closely with independent producers to provide expertise on production financing and available funding sources, CBC policies and requirements and handles negotiation of production agreements between independent producers and CBC. She has over 20 years experience working in the Canadian Media industry in a business affairs capacity.
Mia Rodak
Mia is an award-winning Director of digital content and strategy, and has spent 20+ years working with top Canadian media providers on several premium brands such as CBC Kids, CBC Kids News, HGTV Canada, Food Network Canada, Slice, National Geographic Channel and others.
Since joining CBC in 2016 her focus has been on building audience-first content and platform strategies specifically for children (ages 4 – 13 years) and their caregivers across multiple platforms including various in-house websites and third-party channels including YouTube, Instagram, Facebook, Roblox, Pinterest, and TikTok. Her top priority is inclusive leadership for a large, creative digital team in pursuit of providing compelling and engaging content, through beautiful and intuitive user-experiences.
Meet the Funders
Hear from Telefilm, ISO, CISF, NFB and Ontario Creates on funding, equity initiatives, and how to access opportunities for diverse and emerging Canadian screen talent.
Room A – 4:00 pm to 4:20 pm, 4:20 pm to 4:40 pm , 4:40 pm to 5:00 pm
Canadian Independent Screen Fund for BPOC Creators (CISF)

Lalita Krishna
Lalita Krishna has been producing and directing documentaries through her company, for over 20 years, In Sync Media. Her work has been featured on all major networks and showcased at film festivals worldwide. Lalita’s documentaries have received acclaim for highlighting important issues and often serve as a catalyst for social change.
Lalita has been a keynote speaker at several conferences and has led media literacy workshops She has been invited to present at Co-Pro-Documentary Marketing Foundation, Tel Aviv, Durban International Film Festival, and at Silver Docs, Washington, DC.
Lalita is the writer and producer of Bangla Surf Girls, which had its world premiere at the Hot Docs International Film Festival and has been screened at over 50 international festivals, winning 18 international awards. Her documentary Fear of Dancing, a co-production between Quebec and Ontario, follows a chorophobe as he travels the globe confronting his worst nightmare; it premiered on the Documentary Channel and CBC’s Gem. Additionally, she produced Untying the Knot, which chronicles the journey of a survivor of a brutal domestic assault and premiered on CBC’s Documentary Channel.
In addition to multiple awards for her productions, Lalita is also the winner of the 2021 Don Haig award given by Hot Docs to a producer who has made significant contribution through their body of work, the 2013 Crystal Award for mentorship given by WIFT(Women in Film and Television), the Trailblazer(2012) award given by the Reel World Film Festival and is the recipient of the Dream Catcher award given by the Hope and Dreams Festival NJ, for using her craft to better humanity.
Lalita is a passionate advocate for diversity and representation in media, dedicating countless volunteer hours as the Co-Chair of the CISF, as the former Co-Chair of the Hot Docs International Film Festival and as the former Co-Chair of DOC Ontario, which operates the DOC Institute.
For more details of her productions please go to www.insyncmedia.ca

Myia Davar
Operations Manager, CISF
Myia Davar is a collaborative non-profit leader, project manager, network-builder and dream engineer. Passionate about possibilities in health, culture, education and economic empowerment, Myia is skilled in stakeholder engagement, systems analysis and implementing strategy across organizations. She designs and facilitates innovative and collaborative processes that shift definitions and mindsets about what is possible.

Adams Aghimien
Research & Administrative Coordinator, CISF
Adams Aghimien is a policy analyst and consultant with experience across equity, sustainability and governance. He has worked with think tanks such as the Canadian Arab Institute and The Dais, and with advisory firms including FTI Consulting and Electricity Canada.
His projects have ranged from assessing climate and energy transition policies, to evaluating public programs, to helping organizations strengthen their stakeholder engagement and reporting practices. Across every role, Adams focuses on practical impact, clear communication, and relationships built on trust and accountability. He is based in Toronto.
Ontario Creates

Erin Creasey
Erin Creasey is Director, Industry Development, at Ontario Creates, where she oversees investment programs for the screen and publishing sectors, supporting development, production, marketing, and business development activities, and international business initiatives. Previously, Erin was Director, Sales and Marketing at ECW Press, and is a past president of the Association of Canadian Publishers.
Room B – 4:00 pm to 4:20 pm, 4:20 pm to 4:40 pm , 4:40 pm to 5:00 pm
Telefilm


National Film Board of Canada (NFB)

Sherien Barsoum is a Producer with the National Film Board of Canada. She recently produced Seven Beats Per Minutes directed by Yuqi Kang, Sounds & Pressure directed by Graeme Mathieson and Chris Flanagan and The Colour of Ink directed by Brian Johnson. As an independent, Sherien directed and produced the CSA nominated Cynara, Ride for Promise and Player Zero, winning the Hot Docs Short Film Pitch and Best Canadian Documentary at NorthWest Fest. She is the producer of the series, Dreams in Vantablack, and Babe, I Hate to Go, which played top festivals internationally and was nominated for a Canadian Screen Award. Sherien was also the story consultant on the Oscar-shortlisted Frame 394 and co-produced House of Z, the first feature bought and distributed by Condé Nast, now on Netflix. Sherien is a founding member of the Racial Equity Media Collective, which uses research to advocate on behalf of racialized creators in Canada. She is also the former Director of Programming for the Reelworld Film Festival and served as a board member of the Documentary Organization of Canada.

Melissa Haughton
Melissa Haughton (she/her) is a Marketing Project Manager at the National Film Board of Canada. Working on the Impact & Engagement team, she supports the development of tactical release strategies, project-specific marketing collateral and key rollout touchpoints for documentaries within the slate. As part of her role, she focuses on holistic campaign planning and finding opportunities to engage with audiences across Canada through community screenings, events and partnerships. With more than a decade of experience in the media space, Melissa has built go-to market strategies for startups and SMEs, produced a Signal-award winning podcast, and built initiatives focused on community connection, dialogue and learning.
Indigenous Screen Office

Melanie Hadley
DAY 2 - 26 NOVEMBER 2025
SPONSORED BY : 
9:30 am to 10:30 am
Min Sook Lee recently told the CRTC that documentaries are “the language we use to speak to each other… a bridge to connect us, and sometimes a hammer to shape the world we want to live in.” But in today’s platform-driven landscape, that language is being drowned out.
This session opens with a five-minute talk from Lee—a call to remember what’s at stake if Canada loses its long-form documentary culture. What follows is a candid, grounded, and energizing conversation between award-winning filmmakers Alison Duke and Hubert Davis who know the stakes firsthand.
They’ve fought to get complex, political, personal stories to the screen and built careers around making work that matters, even when it doesn’t fit the market mold. Together, they’ll explore the cultural role of long-form docs, the barriers to making and distributing them, and the strategies they’ve used to reach audiences and generate income.
Moderator

Joan Jenkinson
Joan Jenkinson is the Co-Founder and CEO of the Black Screen Office, an outspoken advocate who leads efforts to dismantle anti-Black racism and advance Black storytelling in Canada’s screen industries. Under her leadership, the BSO founded the Collaborative Network and was named 2022 Changemaker Organization of the Year by Playback. As Vice President of Independent Production at VisionTV, she commissioned over 140 hours of programming annually and launched the DiverseTV initiative, which helped launch the careers of several Black filmmakers. Her first screen industry role was as Executive Director of WIFT-Toronto, where she introduced mentorship and training programs that shifted the focus from job-seeking to long-term career-building.
Joan has been awarded WIFT+ Toronto’s 2025 Innovation Trailblazer Award. In 2025, she was recognized by The Hollywood Reporter as one of Canada’s 25 Top Dealmakers and Decision-Makers. That same year, she and the BSO were spotlighted by TIFF as the Impact Support Agency. Her past honours include the Reelworld Visionary Award, the Afroglobal Television Excellence Media Award, and recognition as one of Shifter Magazine’s Outstanding Black Women in Canada.
Panelists

Alison Duke
Alison Duke (aka “Golde”) is an award-winning documentary writer and director celebrated for fearless, socially resonant storytelling. Upcoming works include TV doc, ‘Michelle Ross: Unknown Icon’ and Season 2 of Amanda Parris’ acclaimed series ‘For the Culture.’ Duke broke into the industry with her debut feature, Raisin’ Kane: A Rapumentary (NFB), and has since directed many culturally relevant films, earning a reputation as one of Canada’s top documentarians and often referred to as the “Queen of Music Docs.” Her recent works include ‘Bam Bam: The Sister Nancy Story’ (Crave Original), which premiered at Tribeca 2024 and continues to tour internationally to acclaim, and ‘Paid in Full: The Battle for Black Music’ (CBC/BBC), winner of the 2025 Canadian Screen Award (CSA) for Best History Documentary Program or Series and a Silver Award at the New York Festivals TV & Film Awards.
Duke also co-wrote and co-directed the five-part docu-series ‘Black Community Mixtapes,’ which garnered three Canadian Film Awards, and wrote and directed the short film’Promise Me,’ which won eight festival awards, including two Golden Sheafs. Beyond her films, Duke co-founded the OYA Black Arts Coalition, where she mentors the next generation of Black filmmakers. She is the recipient of the 2024 Hot Docs Don Haig Award and the 2019 WIFT-Toronto Crystal Award for Mentorship.

Hubert Davis
Hubert Davis is an award winning film director. He just completed his first 2 narrative films, The Well and Youngblood. The latter is a reimagining of the classic 80s movie and premiered at TIFF 2025. Davis’ doc Black Ice about systemic racism in hockey and won the 2022 TIFF People’s Choice Documentary Award. Black Ice was Executive Produced by NBA star Lebron James and Canadian rap icon Drake. He has directed critically-acclaimed feature documentaries including Giants of Africa which centres on Toronto Raptors president Masai Ujiri and his efforts to build the sport of basketball in Africa. Hubert’s Academy Award-nominated directorial debut Hardwood explored the relationship between he and his father Mel Davis who played for the Harlem Globetrotters for 18 years. Hubert was featured as one of the top 100 Visionary directors in the world on the 2022 ADWEEK Creative 100.

Min Sook Lee
Min Sook Lee is an award-winning documentary filmmaker. Her acclaimed documentaries include Tiger Spirit(Donald Brittain Gemini Award), Hogtown: The Politics of Policing (Hot Docs Best Canadian Feature), and The Real Inglorious Bastards (Canadian Screen Award for Best History Documentary). Migrant Dreams, which follows migrant farm workers resisting exploitation, received the Canadian Hillman Prize and the Canadian Association of Journalists’ Award for Labour Reporting. Her most recent feature, There Are No Words(National Film Board of Canada), premiered at the 2025 Toronto International Film Festival and earned an Honourable Mention for Best Canadian Feature.
Lee’s films are grounded in empathy and aesthetic precision. They centre racialized, diasporic, and working-class communities, revealing the beauty and resilience within lives too often erased from public view. In recognition of her impact on labour arts in Canada, Mayworks established the Min Sook Lee Labour Arts Award in her name.
A recipient of the Cinema Politica Alanis Obomsawin Award for Commitment to Community and Resistance, and the César E. Chávez Black Eagle Award, Lee continues to expand the possibilities of political cinema. As Associate Professor at OCAD University, she teaches documentary and visual storytelling rooted in histories of working-class life, feminist thought, and movements for social justice.
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11:00 am to 12:00 pm
CBC’s The Nature of Things is committed to expanding its audience and collaborating with new, underrepresented voices in science and nature filmmaking. Join Production Executive, Lesley Birchard, co-host Anthony Morgan, and some of the new voices behind this iconic series to explore their experiences and how their voices are helping to shape the future of this important series.
Moderators: Lesley Birchard, Production Executive, The Nature of Things & Co-host, Anthony Morgan

Lesley Birchard,
Lesley Birchard champions captivating science and nature stories for CBC’s flagship science program The Nature of Things. She pioneered the groundbreaking CBC Short Docs, commissioning over 200 documentaries for CBC Gem and YouTube, and is a passionate advocate for filmmakers from equity-deserving communities. Lesley’s previous portfolio at CBC included overseeing select feature docs and hit unscripted series like Still Standing. Before CBC, she honed her craft as a freelance director, producer, and story editor. She holds an M.A. in Creative Media Education from Bournemouth University.

Anthony Morgan
Morgan is a television host, entrepreneur, game designer and Ph.D. researcher based in Toronto. To say he loves science is an understatement. He’s spent the last 20 years working in multiple fields across science communication to show people the power science has to transform human lives for the better. He began this journey as a host at the Ontario Science Centre sharing incredible science stories and experiences. Since then he’s worked with the likes of the Toronto Maple Leafs, Asap SCIENCE, Quirks & Quarks, boards and steering committees for national and local not-for-profits, Daily Planet, the Royal Ontario Museum, and multiple municipalities across Canada.
Morgan holds an Honours B.Sc. in Psychology, Neuroscience and Behaviour from McMaster University and a degree in Science Communication from Laurentian University. His Ph.D. work at Toronto Metropolitan University explores how we can reduce polarization to have better conversations around controversial science. That means you can regularly find him hosting a conversational pub game for curious people (something he calls “Freestyle Socials”) across the Greater Toronto Area through his company Science
Panelists: Sonya Lee, Geordie Trifa and Nabil Mehchi

Sonya Lee
Sonya Lee is a Korean-Canadian filmmaker and National Geographic Explorer focusing on stories that intersect science, nature, people and culture. Her current projects combine her love of food, Korean culture and ocean conservation with a 3×22 documentary series called Our Ocean Table for TELUS Originals and a short doc with support from the National Geographic Society exploring the fishery behind a Korean traditional crab dish. She is completing a CBC Short Doc about a camerawoman illuminating the lives of a special lamprey species while navigating new motherhood. Her most recent film, Jawsome: Canada’s Great White Sharks, on CBC The Nature of Things and has been nominated for Best Science and Nature Documentary or Series for the Canadian Screen Awards 2025 and is streaming internationally on National Geographic Disney+ and Hulu. Sonya was previously a producer for the National Film Board of Canada’s Ocean School project.

Geordie Trifa
Geordie Trifa is an award-winning director of Chinese and Romanian heritage. He is currently directing the Pacific episode of the documentary series Life on the Edge (PBS, CBC, ARTE). His recent credits include the Cities episode of Shared Planet (CBC, ARTE, PBS) and the short documentary Scenes in a Coq au Vin, which won Best Short Documentary at the Ceres Food Film Festival in New York and features celebrity chef Charles X Michel. Other notable works include the CBC films Pandemic Elementary and Black Rock, the drama Call Me AWOL, and the feature documentary A Life Unbound.

Nabil Mehchi
Nabil Mehchi is an Emmy-nominated producer, director, and co-founder of Noble Television & Films, a Montreal-based company dedicated to the creation of bold, globally minded unscripted & factual content. Since launching Noble in 2014, Nabil has led the creative on numerous award-winning documentary series including
Interrupt This Program (Emmy-nominated for Best Arts Series), The Big Sex Talk
(Rockie Award winner), Love Hurts: The Science of Heartbreak (The Nature of Things) and most recently Alison Duke’s Passionate Eye documentary Michelle Ross: Unknown Icon. For the past 3 years, Nabil has been busy producing Oscar-nominated director Kim Nguyen’s upcoming feature documentary
Saigon Story: Two Shootings in the Forest Kingdom which will have its theatrical release in Spring 2026. Additionally, he just finished producing season 2 of the critically acclaimed CBC Gem series For The Culture with Amanda Parris, set to be released on November 28th.
Born & raised in Beirut, Nabil moved to Canada at the height of the Lebanese civil war to study at Concordia University’s famed Film School and began his career as a prolific editor and post director. Some of his many credits include Licence to Drill (Discovery) and the award-winning documentary series The Beat (City, Canal D, Current USA).
1:00 pm to 2:00 pm
This panel will explore how BIPOC filmmakers use documentary storytelling to challenge systems of power, amplify community voices, and inspire meaningful social change. Your artistic and cultural perspective, and your use of storytelling as a form of resistance and reclamation, make your participation especially significant.
Moderator

V.J Rosie Johnnie–Mills
Rosie Johnnie-Mills is a cisgender IndigiQueer lover of stories. She belongs to the Skidegate Gidiins (Eagle Clan) from the archipelago islands of Haida Gwaii and Xinipsen of Cowichan Tribes on what’s now called Vancouver Island. She co-owns her film production company, House of Copper Films Inc., with her Nisga’a husband, Dustin McGladrey.
Rosie may seem far away from where she grew up on the reservation in the Cowichan Valley; however, at heart, she’s dedicated her life to advancing Indigenous innovation within the Indigenous networks in Canada. She is completing steps in her systematic strategy and gaining momentum in honouring Indigenous voices in film across all genres and formats. The National Screen Institute Indigidocs greenlit her first production in 2022, which was broadcast on APTN and is now streaming within Canada on APTN and CBC Gem. It’s called Living Weaving, a story about Debra Sparrow and her journey of knowledge-sharing Musqueam Weaving. She is an executive producer for ‘The Cowichan Sweater; Our Knitted Legacy’ directed by Mary Galloway, which was previously broadcast on CBC and is now streaming on CBC Gem. The global brand Fjallraven posted the video Rosie produced on their client-facing official YouTube channel, uplifting the collaboration between Coast Salish Artist Charlene Johnny. Currently, Rosie is in post-production for a short docu-series she’s producing celebrating Indigenous Nations within BC, to be broadcast and streamed by Knowledge Network. Moving ahead in 2025, she has been selected to pitch a narrative Vampiric Noir TV show with MMIP themes at the Netflix-Banff Diversity of Voices initiative. She is in development with an Indigiqueer romantic comedy which secured the Rogers Indigenous Film Fund through Creative BC and developing a vibrant slate of projects with a diverse range of Indigenous writers and directors.
Panelists

Brishkay Ahmed
Brishkay Ahmed is an Afghan-Canadian filmmaker working across both documentary and fiction. Her recent credits include the NFB feature In The Room and Have You Heard Judi Singh (Knowledge Network). Her feature documentary In the Rumbling Belly of Motherland (Women Make Movies) was nominated for a 2021 DGC Award and earned her both the Outstanding Feature and Outstanding Producer awards at the 2021 Reelworld Film Festival. Ahmed’s documentary Fatima in Kabul (CBC Gem) received a nomination at the 2022 Canadian Screen Awards, a Rockie Award nomination at the Banff World Media Festival, and was shortlisted for the 2022 IDA Documentary Award. A staunch feminist, she advocates for gender equality and women’s rights, exposing the inequities women face globally while celebrating the courage, camaraderie, and defiance of those who lock arms to challenge the patriarchal status quo. Ahmed is an alumna of the 2022 Canadian Film Centre Writers’ Lab, Women in the Director’s Chair (WIDC), and the NSI EAVE Producers Lab.
Brishkay acknowledges, she lives and works on the unceded Indigenous land belonging to the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), Stó:lō (Stolo), and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) Nations.

Damien Eagle Bear
Niitsitapi, amateur physicist, frybread-eating machine, Damien Eagle Bear is a multifaceted filmmaker from the Kainai First Nation of the Blackfoot Confederacy. His career began with the short experimental documentary Napi, which asks the question of what will happen when the Blackfoot trickster gets behind the camera. It premiered at the opening night of the 37th American Indian Film Festival in 2012 and went on to screen at multiple film festivals. Damien continued to work as a videographer, building his technical filmmaking skills before moving into producing. With the support of the National Screen Institute’s IndigiDocs program, He developed Big Momma, a short documentary about the journey of a Two Spirit comedian, Preston Stimson, from personal struggles to the stage. This was quickly followed up with the short film q’sapi times, supported through TELUS STORYHIVE’s inaugural Indigenous Edition, is a modern take on a traditional Syilx (Okanagan) coyote story. Both short films premiered at the Vancouver International Film Festival in 2019. Following that success, he took on his next challenge, The Bannocking, a six-part horror-comedy web series that explores family dynamics and relationships during an outbreak of a zombie-like sickness. The series was selected for Telefilm’s Talent to Watch Program and released online through CBC Gem in 2023. Damien’s projects have gone to multiple film festivals throughout Canada and the United States of America, including the imagineNATIVE Film and Media Arts Festival, Vancouver International Film Festival, and LA Skins Film Festival. He is an alumnus of Capilano University, graduating from the Cinematography and Indigenous Filmmaking Programs. His work explores the themes of belonging and Indigenous resiliency.

Isak Vaillancourt
Isak is an award-winning director, producer, and multidisciplinary artist of Somali-French ancestry. His creative practice spans filmmaking, photography, and arts-based programming, exploring identity through the lens of Black healing, memory, and decolonization. He is the director and producer of the short films amplify (2020), Collective Resistance (2023), and Can You Feel It Now? (2025). Isak holds an MA in Media Production from Toronto Metropolitan University, where his research examined Black-Indigenous relations, immersive technologies, and social justice media. Beyond film, he is a Co-Founder and Director of Black Lives Matter – Sudbury, a nonprofit organization advancing cultural creation, collective healing, and systemic change in Northern Ontario. His work continues to center storytelling as a tool for liberation and reimagining Black futures.
SPONSORED BY : 
2:30 pm to 3:30 pm
DOC Org brings together equity focused advocacy organizations to discuss national consultations and prepare for community engagement with diverse voices.
Moderator

Julian Carrington (DOC ORG)
Julian Carrington is Executive Director of the Documentary Organization of Canada (DOC), the collective voice of Canada’s independent documentary creators. Julian leads the organization’s advocacy and research initiatives, which seek to promote an equitable, sustainable environment for documentary production and to strengthen the sector within the broader cultural industry. Previously, Julian served as the Managing Director of the Racial Equity Media Collective and as a Senior Industry Manager at Hot Docs. In that capacity, he supported the administration of the Hot Docs portfolio of funds, Including the Hot Docs Blue Ice Docs Fund, the Hot Docs CrossCurrents Doc Funds, and the Hot Docs Ted Rogers Fund. Julian also oversaw the Festival’s Distribution Rendezvous pitch program and the Doc Shop sales platform. In addition, he is the founder of For Viola, the Hot Docs Cinema’s BIPOC-focused community screening series, named in honour of Viola Desmond. Prior to joining Hot Docs, Julian programmed for the Planet In Focus Environmental Film Festival, was an associate programmer at the Toronto International Film Festival, and a distribution consultant with the Documentary Organization of Canada.
Panelists


As an activist filmmaker, Marina has directed and produced three award-winning short documentaries addressing police brutality, uterine fibroids in Afro-descendant women, and climate-related displacement. She is also a co-founder of Ciné Cozry, a Tiohtià:ke/ Montreal-based collective creating communal film experiences that foreground BIPOC and emerging filmmakers while reimagining cinema as a living, poetic, and community-centered practice. An Afrofeminist at heart, Marina’s work is rooted in care, empowerment, equity, and solidarity.
3:30 pm to 4:00 pm

Sara Kae
Sara Kae is an Ojibwe and Cree artist, writer and performer with limitless range both in the stories she tells and where she tells them. A member of Lake Helen First Nation, Sara got her start touring northern Ontario with her counsellor father, speaking and singing in schools and community gatherings from the age of 12. Today, as an honours graduate and Founders Award recipient at the esteemed Metalworks Institute in Mississauga and 2025 CBCxSOCAN Foundation Reverie resident, Sara’s early career accomplishments include a concert series with the Thunder Bay Symphony Orchestra (“Rise with Sara Kae”), co-creating a musical theatre production (“Trading Places”), partnering with Susan Aglukark’s Arctic Rose Foundation, and opening for Juno award winning, Aysanabee. On the radio Sara’s been heard as a recording artist on her debut singles “Rise” and “Constellations,” headlining her own Toronto radio program with APTN, and hosting national Truth and Reconciliation Day programming on CBC. Her single “25″ released last September on all streaming platforms opened a new and exciting musical chapter in the story of Sara Kae; told with the tone, nuance, and personality you would expect from a prodigy of Sara’s caliber and lived experience. The full-length EP, Maadaadizi, funded by the Ontario Arts Council is an intimate, organic, and upbeat tribute to Sara’s growth. She is continuing to write, record, and release new music in 2025.
SPONSORED BY : 
4:00 pm to 5:00 pm
Centering Care in Documentary Production
With a diversity of documentary projects and production teams across the country, the producers at the National Film Board of Canada are working with our collaborators to take a care-centered approach to our production planning. This approach is aimed at prioritizing the accessibility, safety, and mental health needs of our teams. Join us for a thoughtful case study conversation about the care-centred approach recently taken on Evelyn Pakinewatik’s Living Memory. This four-part short documentary series follows Evelyn as they engage with their mentor artists and the cultural knowledge carriers who have shaped their practice. Inspired by Evelyn’s past production approaches as a disabled and immunocompromised filmmaker, the team created production protocols focusing on accessibility and safety for all crew and on-camera participants. The participants in this session will be Chanda Chevannes, Executive Producer; Evelyn Pakinewatik, Director of Living Memory; and Melissa Paduada, Line Producer of Living Memory.
Moderator

Chanda Chevannes
Living Memories, Executive Producer
Chanda Chevannes is passionate about creating more joy and justice in our world with documentary film. Currently the Executive Producer of the National Film Board of Canada’s Central Documentary Unit, collaborating with directors and co-producers in Manitoba, Nunavut, and Ontario. Since joining the NFB in 2022, Chanda has executive produced approximately thirty documentary projects, including Any Other Way: The Jackie Shane Story; Sounds & Pressure: Reggae in a Foreign Land; The Nest; and Parade: Queer Acts of Love and Resistance. Prior to joining the NFB, Chanda worked for two decades as an independent filmmaker, writer, and educator. During that time, she produced/directed 14 films, produced or production managed 25 other docs, researched and wrote 15 documentary-focused publications, and trained over 800 emerging film professionals. Chanda is a mother and a queer woman of colour – identities that inform her work.

Evelyn Pakinewatik
Living Memories, Director
Evelyn Pakinewatik (Nbisiing Anishnaabe/Irish, Nipissing First Nation) is a filmmaker and multidisciplinary artist. Evelyn’s work explores the intersection of dreams and memory and the societal distortions of interiority, relationality, and animacy. An artist raised by artists, Evelyn began working alongside their parents from a very young age to preserve and disseminate traditional textile and nature arts in Indigenous communities across Ontario and Québec. Interconnectivity and reciprocity continue to motivate Evelyn’s creative process as they seek to practice anti-colonial survivance through an inclusive lens. Evelyn’s recent projects include “Nooj Goji/Anywhere” (Rot Wood Media, 2024), a short film which explores immunocompromised identity within an Anishinaabe context, and “Abiinoojiikaasmin”(Rot Wood Media, 2025), a short film centring the voices and futures of Indigenous children. Upcoming projects include “Living Memory” (NFB, 2026) and “Nagweyaabiin!” (Rot Wood Media, TBA).

Melissa Paduada
Living Memories, Line Producer
Melissa Paduada is a Line Producer with the National Film Board of Canada. She is currently the Line Producer ten documentary projects at the NFB, including Evelyn Pakinewatik’s Living Memory, which is currently in post-production. Most recently, Melissa was the Line Producer and Senior Production Coordinator on Parade: Queer Acts of Love and Resistance, which opened Hot Docs in 2025. Melissa has been working in the film and television industry for the last 13 years. She graduated from McMaster University with an Honours BA in Sociology and Communication Studies and from Langara College with a certificate in Documentary Film Production.
Following sessions below require an additional sign up.
11:00 am to 12:00 pm : Conference Room B
How To Get Hired: Building & Sustaining a Creative Career
A 101 workshop for folks looking to break into the documentary & factual world. It’ll covers the unique aspects of getting hired in Canadian non-fiction media, from development to post-production. With a special emphasis on independent filmmakers, mid-career creatives with experience in adjacent fields and those with experience outside Canada.
Instructor

Saman Malik
Saman Malik is an award-winning director, producer, and writer whose work blends investigative rigor with cinematic storytelling, across genres.
Saman directed, wrote, and produced the first season of For the Culture with Amanda Parris, earning three Canadian Screen Award nominations, including Best Writing, and a win for Best Direction. Her documentary Big News, exploring the erosion of trust in media, was nominated for the Donald Brittain Award for Best Social/Political Documentary. At CBC’s flagship investigative program, The Fifth Estate, she spent years uncovering stories that exposed injustice and sparked national debate, from solitary confinement to Canada’s rental crisis.
Saman’s work has been recognized by the Governor General’s Michener Awards Foundation, the Gracie Awards, RTDNA, and the Academy of Canadian Cinema & Television. She holds a BFA from Concordia University and a Master’s in documentary filmmaking from Columbia University’s Graduate School of Journalism.
Join us for an informal meet-and-greet with CBC production executives from CBC Entertainment including Comedy & Drama, Documentary and Absolutely Canadian along with representatives from CBC’s Business and Rights department.
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1:00 pm to 1:40 pm & 2:30 – 3:10pm
Meet the CBC Roundtables – Short Documentary
1:00 pm to 1:40 pm & 2:30 – 3:10pm
Meet the CBC Roundtables – Documentary
1:00 pm to 1:40 pm & 2:30 – 3:10pm
Meet the CBC Roundtables – Documentary/Acquisitions
This roundtable discussion is specifically for producers who are looking to sell a finished project to the CBC. Do you have any long-form documentary projects that are nearly or freshly completed? Come connect with our documentary acquisition team to discuss the type of content the team is looking for and learn about the deliverables required to sell your completed project to the CBC.

Sandra Kleinfeld
Sandra is Senior Director of Documentary for CBC Television, overseeing documentary content that includes original one-offs, Limited Doc series, The Nature of Things, The Passionate Eye, CBC Short Docs, and the subscription-based documentary Channel.

Lucius Dechausay
Lucius Dechausay is a multidisciplinary creative known for his work as a filmmaker, producer and digital storyteller. With a background in visual arts and a keen sense of narrative, Dechausay has crafted numerous projects that explore complex themes with emotional depth and care. His work often tackles the intersectionality of social issues, identity, and culture. Recently, he stepped into a new role at the CBC as a Production Executive, overseeing Short Docs & For The Culture.

Michelle McCree
Michelle McCree is an Executive In Charge of Production at CBC Docs. The team commissions broadcast hours, features and documentary series. In addition to select features and series, Michelle oversees The Passionate Eye, which is home to an internationally-renowned playlist of documentaries from Canada and around the world. Recent projects include Lilith Fair: Building a Mystery, Yintah, Don’t Come Upstairs, Snow King: From Olympian to Narco and Black Lives: Untold Stories. Prior to joining CBC, Michelle worked across genres as a director, writer and producer.

Myrocia Watamaniuk
Myrocia Watamaniuk is Senior Advisor, Unscripted Acquisitions at CBC. She was Senior International Programmer at Hot Docs Canadian International Documentary Festival in Toronto for over twenty years. She has programmed fiction and non-fiction features at Toronto International Film Festival, Aspen ShortsFest, and Canadian Film Centre’s Worldwide Short Film Festival. She is a television broadcaster and producer for CBC News, CBC Toronto and Rogers TV.

Meg Berkovitz
Meg Berkovitz is the Senior Manager of Acquisitions and Feature Films on the Business & Rights team at CBC. In this role, Meg oversees the deal negotiations for both acquired content and feature films for all CBC platforms. In the past, Meg also served as a Development Manager with Business & Rights, responsible for development deals for independent productions at the CBC. Prior to her time at CBC, Meg practiced as a corporate lawyer at a large national law firm.

Criss Hajek
Criss Hajek is a seasoned media professional who works with independent producers and other stakeholders in the Unscripted Programming unit of CBC’s Business & Rights department. She is responsible for structuring deals, financing strategies and negotiating license agreements for both the CBC and the documentary Channel. Before coming back to CBC, Criss was Head of Production for Stornoway Productions, creating documentary and factual programming for clients such as Discovery Channel, CBC, Scripps Network, ZDF and ARTE. Prior to her work in production, Criss was the Director of International Co-productions, Sales & Acquisitions for the CBC and managed all aspects of CBC’s international business with offices in Toronto, London and Los Angeles. She has also freelanced as a book editor, eLearning course designer and helped create a business ethics course for the University of Guelph-Humber.

Dahlia Thompson
Dahlia Thompson has over two decades of experience in the screen-based sector, with extensive knowledge in media funding, entertainment tax credits, and production financing. She spent 16 years at Telefilm Canada and the Canada Media Fund as a business analyst and project officer, managing funding applications for linear programming and interactive digital media.
In 2017, she joined Ontario Creates as a business officer, assessing provincial tax credit applications for interactive digital media, film, and television, and completed a year-long secondment at the Ontario Music Office as a program consultant. This experience fuels her interest in fostering screen-based content and supporting emerging creators.
Since 2021, Dahlia has been a manager in unscripted programming on the Business & Rights team at the CBC, where her primary focus is structuring financing deals and negotiating broadcaster pre-license agreements for documentary projects with independent producers nationwide.1:00 pm to 1:40 pm, 2:30 pm to 3:10 pm

Anya Mckenzie
Anya Mckenzie is an accomplished producer/programmer/
1:00 pm to 1:40 pm, 2:30 pm to 3:10 pm
Meet the CBC Roundtables : Drama and Comedy
Join us for an informal roundtable meet-and-greet with CBC production executives from CBC Entertain including Factual & Entertainment, Scripted Comedy, Drama & Films and Kids along with representatives from CBC’s Business & Rights department.

Dennis Chan
Dennis Chan is a Development Manager at CBC Scripted: Comedy & Drama. A Toronto Metropolitan University Film Studies graduate, he brings expertise in development, creative guidance, and content delivery, and has served on industry panels and juries championing racialized and emerging creators.

Greig Dymond
As Director of Development for CBC Comedy, Greig Dymond is responsible for driving and overseeing the quality and diversity of the network’s comedy-development slate. Since 2013, Greig has served as Development Executive and/or Production Executive on a variety of CBC Comedy series, including Schitt’s Creek, Baroness von Sketch Show, Son of a Critch, TallBoyz, Run The Burbs, Workin’ Moms, This Hour Has 22 Minutes, and stand-up festival programming from Vancouver, Winnipeg, Montreal, and Halifax.

Sarah Quan
As the Executive in Charge of Development for CBC Comedy, Sarah is responsible for cultivating the network’s original scripted comedy series development slate. Most recently she oversaw the development of Small Achievable Goals and One More Time for the network. Prior to joining CBC, she served as Creative Executive at Northwood Entertainment (Anne With an E, The Grizzlies), developing North of North and overseeing the creative and logistical development of narrative series and features. Sarah started her career as a coordinator for independent film and digital series (How to Buy a Baby, Detention Adventure). She also volunteers on a number of initiatives including co-facilitating AccessCBC, an initiative for creators with disabilities and as an advocate for the Academy Executive Residency Program. As an award-winning producer and creative executive, Sarah is dedicated to discovering and nurturing underrepresented voices with fresh perspectives and producing work that changes culture and explores stories that have yet to be told.

Lea Marin
Lea Marin is the Director of Development, Drama, for the CBC, and is responsible for
driving and overseeing the quality and diversity of the drama development slate
including recent productions, Saint-Pierre, Wild Cards and Allegiance. A graduate
of the Canadian Film Centre’s Producers’ Lab, prior to joining the CBC, Lea was a
Senior Producer with the National Film Board of Canada where she developed and
produced several documentaries and interactive projects. Some of her credits
include Ever Deadly co-created by Tanya Tagaq & Chelsea McMullan, and Charles
Officer’s Unarmed Verses.

Zach Marcovici
Zach Marcovici is currently Executive in Charge of Development for CBC Drama, where he is responsible for developing high quality original drama series. Prior to joining CBC, he was Director of Development & Production at BentFrame Film & TV, overseeing a slate of female-driven TV projects for the Canadian and international market, with a focus on spotlighting LGBTQ+ and diverse stories and voices. Zach also previously worked in development and production at Back Alley Films, serving as Associate Producer on CORONER (CBC/The CW), and began his career at Vanguarde Artists Management.

SJ Choi
SJ is a Development Manager in the Business & Rights team at CBC. She handles development agreements and budgets for new scripted / unscripted / kids programming that CBC puts into development. SJ has a legal background and is an entertainment lawyer licensed in Ontario.

Paul Dollar
In his role as a business manager, Paul reviews production financing proposals and negotiates CBC licence agreements with independent producers for Scripted programs. This work also involves working closely with producers on third-party financing applications, including CMF and private funds. Prior to joining CBC, he held a variety of positions at Telefilm Canada in Toronto and worked as an analyst on International Co-productions at Telefilm in Montreal.

Susan Kelly
Susan Kelly is the Senior Director of Business & Rights for CBC’s Scripted & Acquired Programming. She leads the business groups that negotiate development and production deals with the independent producers who produce original scripted programs for CBC, such as Schitt’s Creek, Son of a Critch, Murdoch Mysteries, Heartland, Dino Ranch and Kim’s Convenience as well as all of CBC’s acquired programming and feature films. She has a background in law, having started out her career at a large Bay Street law firm. She has been in the film and television industry for over 25 years; prior to joining CBC in 2002, she worked at a private broadcaster, at a boutique entertainment law firm representing producers and talent, and in-house at a leading-edge interactive television production shop.

Sadia Mohamed
Sadia Mohamed is a manager for scripted and unscripted programming in the Business & Rights group. Sadia’s area of focus is development projects. Sadia’s day-to-day functions include helping independent producers prepare and finalize development budgets and negotiating development agreements between the independent producers and the CBC. Sadia also helps to facilitate third-party development funding to maximize a development project’s financing.
1:00 pm to 1:40 pm
Meet the CBC Roundtables : The Nature of Things.
Meet The Nature of Things Panelists.
1:00 pm to 1:40 pm, & 2:30 to 3:10 pm
Meet the CBC Roundtables : (Absolutely Canadian Ontario) / Absolutely Canadian
Absolutely Canadian is looking for ideas from filmmakers or content creators with an original, standalone documentary or unscripted project that features local connections, community stories and diverse perspectives from across Ontario.

Adele Cardamone-Martel
Adele Cardamone-Martel is an award-winning CBC Executive Producer for the Ontario region. She has extensive production experience across various genres, including documentary, arts, entertainment, music, current affairs, and lifestyle programming, including many co-productions with independent producers and with digital specialty channels. Her work includes the Absolutely Canadian series for Ontario, featuring independent documentaries, unscripted content, and short films for CBC Gem, TV, and YouTube. She also develops and contributes short-form content for CBC News, Radio, Digital platforms and streaming. Adele collaborates, develops and mentors emerging filmmakers and content creators, including post-secondary and student graduates in media and film programs across Ontario. She is also involved in various community special projects and partnerships, including programming with CBC program network strands.

Criss Hajek
Criss Hajek is a seasoned media professional who works with independent producers and other stakeholders in the Unscripted Programming unit of CBC’s Business & Rights department. She is responsible for structuring deals, financing strategies and negotiating license agreements for both the CBC and the documentary Channel. Before coming back to CBC, Criss was Head of Production for Stornoway Productions, creating documentary and factual programming for clients such as Discovery Channel, CBC, Scripps Network, ZDF and ARTE. Prior to her work in production, Criss was the Director of International Co-productions, Sales & Acquisitions for the CBC and managed all aspects of CBC’s international business with offices in Toronto, London and Los Angeles. She has also freelanced as a book editor, eLearning course designer and helped create a business ethics course for the University of Guelph-Humber.
DAY 3 - 27 NOVEMBER 2025

9:00 am to 12:00 pm
This market is designed to connect creatives from under-represented communities with established independent producers. Its dual purpose is to facilitate connections for work on current or future productions and to foster pitch collaborations.
This is a walk up event, signup is not required.
SPONSORED BY :
1:00 pm to 2:00 pm
The DGC explores the creative and business dynamics between directors and producers while advancing conversations on representation, funding, and the future of Canadian filmmaking.
Moderator:

Marwa Siam–Abdou – (DGC)
Marwa Siam-Abdou is the Director of Communications at the DGC. She oversees initiatives in the areas of Equity and Diversity as well Sustainable Production in Film & TV.
Her work, which is rooted in communication, strategy and outreach, focuses on amplifying the voices of racialized Members of the Guild as well as building initiatives to best represent and support the Guild and its Members on a National level.
Marwa holds two degrees from Toronto Metropolitan University: A Bachelor of Journalism and a Master of Media Production.
Panelists:

Yasmine Mathurin
Yasmine Mathurin is a Haitian-Canadian, award-winning filmmaker whose work bridges the personal and political. A former UN Human Rights Fellow and graduate of York University and Toronto Metropolitan University, she began her career in journalism and podcasting, producing award-winning CBC Podcasts like The Shadows and Tai Asks Why. Her debut feature documentary One of Ours, a powerful exploration of identity and belonging, won the Special Jury Prize at Hot Docs and earned three Canadian Screen Award nominations. She is an alumni of TIFF Writers Studio, TIFF Chanel Women Writers Network, Berlinale Doc Toolbox, RIDM lab, UnionDocs Feature lab, DOC Breakthrough and the Hot Docs Accelerator Lab.
Her work has been screened at several film festivals including, DocEdge, Hot Docs, RIDM and DOC NYC and Indie Memphis Film festival.
She received the TIFF–CBC Films Screenwriter Award for her fiction debut, currently in early development. Mathurin latest directorial work can be seen on the upcoming season of CBC’s For The Culture with Amanda Parris.
V.T. Nayani
V.T. Nayani is writer, director, and performer, whose work explores how we continuously come of age. She is an alumni of Film Independent’s Episodic Directing Intensive (’25) and Episodic Lab (’24), EFM’s Fiction Toolbox Program (’25), the Academy of Canadian Cinema and Television’s Directors Program for Women (‘22), and the Canadian Film Centre’s Directors’ Lab (‘21). Her artistic journey has also been championed by platforms including The Gotham, Telefilm Canada, CBC, Netflix, BIPOC TV & Film, The Southbank Centre, and UN Women. Nayani’s award-winning feature directorial debut, THIS PLACE, premiered at TIFF ’22. It has since screened globally and is now available in multiple territories. Currently, Nayani is developing a slate of film, television, and multimedia projects, including her sophomore feature FORGIVENESS HAS MANY NAMES and the original series SHAME. She is also a PhD Candidate in at Queen’s University, studying the process of telling cinematic stories from/of the body.

Ryan Singh
Ryan Singh as a first-time feature documentary filmmaker, successfully navigating an Oscar-qualifying campaign and receiving an invitation for our film’s transcript to be housed in the Oscars Archives has been both a profound professional and personal milestone. Within a relatively short period, Ray of Hope premiered on CBC Gem on January 31, 2025, marking another significant achievement in its journey.
Ray of Hope tells the powerful and deeply emotional story of the Tamil Genocide in Sri Lanka and its enduring impact on Tamils living in the diaspora. Centered on the experiences of Rathika Sitsabaiesan—the first Tamil-Canadian Member of Parliament—the film explores themes of resilience, identity, and hope through stunning visuals, evocative music, and immersive sound design. Through Rathika’s journey, the film amplifies the voices of a community whose stories have too often been overlooked, while shedding light on the power of human strength, empathy, and advocacy.
These accomplishments build upon a foundation of more than a dozen festival awards, including the SOCAN Foundation Award for Best Original Score and the Best Documentary Award from the Canadian Ethnic Media Association. Drawing on these successes and the invaluable insights gained from community partners and collaborators, I continue to expand my creative journey as a director and producer—developing a diverse slate of original projects across film, television, and other media.
SPONSORED BY : 
2:30 pm to 2:50 pm
Filmmakers will have the opportunity to engage with key creatives and crew members who will share insights into the production process of this ambitious and culturally rich co-produced documentary series ‘For the Culture with Amanda Parris’. This interactive session promises to provide a deep dive into the creativity and challenges of filming across diverse locations, including several countries in Africa, the Caribbean, the UK, various cities in the US, and Canada.
Filmmakers will have the opportunity to engage with key creatives and crew members who will share insights into the production process of this ambitious and culturally rich co-produced documentary series ‘For the Culture with Amanda Parris’. This interactive session promises to provide a deep dive into the creativity and challenges of filming across diverse locations, including several countries in Africa, the Caribbean, the UK, various cities in the US, and Canada.
Introduction with Executive Producers from Six Runs Productions, OYA Media Group and Noble Television

Amanda Parris
Showrunner, Host, Executive Producer
Amanda Parris is a writer, TV host and producer. She is the host and showrunner of the critically acclaimed documentary series “For the Culture with Amanda Parris” and the creator and showrunner of the award-winning comedy series “Revenge of the Black Best Friend”. She’s won five Canadian Screen Awards for her hosting, writing, directing and television producing, and numerous accolades for her efforts to call out and disrupt systemic racism in the Canadian media community. Prior to her shift into film and television, Amanda worked for years in community organizing, arts and education, co-founding the alternative education organization “Lost Lyrics” and working with the youth charity “The Remix Project”.

Nabil Mehchi
Series Producer, Executive Producer
Nabil Mehchi is an executive producer, series producer and co-founder of Noble Television, a Montreal-based company dedicated to bold, globally minded unscripted storytelling. Since launching Noble in 2014, Nabil has led the creative on numerous series including Interrupt This Program (Emmy-nominated), The Big Sex Talk (Rockie Award winner), Michelle Ross: Unknown Icon, and the upcoming feature documentary Saigon Story: Two Shootings in the Forest Kingdom.
Born in Beirut of Palestinian parents, he moved to Canada to study at Concordia University’s Media School and began his career as a prolific editor and post director. His early credits include Licence to Drill (Discovery) and The Beat (City, Canal D, Current USA). Before that, he helped create, edit and story edit a number of TV shows for the Debbie Travis Group, including From the Ground Up (Global TV) as well as the multi-award winning Debbie Travis’ Facelift (HGTV US & Canada).

Alison Duke
Director, Executive Producer
Alison Duke is an award-winning writer, director, and producer known for fearless storytelling that centers on underrepresented voices. She co-founded OYA Media Group with Ngardy Conteh George, creating acclaimed projects like ‘Mr. Jane and Finch’, ‘Black Community Mixtapes’, and ‘A Mother Apart’. She co-directed the 2025 Canadian Screen Award-winning series ‘Paid in Full: The Battle for Black Music’.
Her latest film, ‘Bam Bam: The Sister Nancy Story’ (Crave Original), premiered at the 2024 Tribeca Film Festival and continues to tour globally. Her work spans decades, beginning with the NFB documentary ‘Raisin’ Kane: A Rapumentary’. Duke is currently co-directing ‘Michelle Ross: Unknown Icon’ and Season 2 of ‘For the Culture’. A mentor and industry leader, she co-founded the OYA Black Arts Coalition and has earned honours like the 2024 Hot Docs Don Haig Award and WIFT-Toronto’s Crystal Award.

Ngardy Conteh George
Producer, Executive Producer
Ngardy Conteh George is an award-winning Sierra Leonean-Canadian director, producer, and editor celebrated for her compelling storytelling and commitment to elevating underrepresented voices, particularly from the African Diaspora. As co-founder of OYA Media Group, she creates thought-provoking content that deepens understanding of diverse cultural experiences. Her recent works include the critically acclaimed docu-series’ Black Community Mixtapes,’ which won three Canadian Screen Awards in 2024, and ‘Bam Bam: The Sister Nancy Story,’ which premiered at the Tribeca Film Festival. She also produced the two-time Canadian Screen Award-winning documentary ‘Mr. Jane and Finch’ (CBC) and ‘The Flying Stars’ (CBC, NHK, DR, Al-Jazeera). In 2024, she received the CMPA’s Kevin Tierney Emerging Producer Award.

Frank Fiorito
Executive Producer
Frank Fiorito is a Montreal-based producer and co-founder of Noble Television. Frank has built a solid reputation as a producer, writer and creative consultant on a multitude of TV productions, from factual programming to documentary series. He is the co-creator and producer of the Emmy-nominated series Interrupt This Program (aka Resilient Cities), which has aired internationally. His recent work includes The Big Sex Talk (Rockie Award winner), Love Hurts: The Science of Heartbreak and the neuroscience series Beau dans ma tête.
Frank holds an M.Sc. in Political Science and began his career as a researcher at Radio-Canada and as a freelance journalist for major Canadian publications. He co-founded Noble in 2014 to create bold, globally minded unscripted content, including the upcoming feature documentary Saigon Story: Two Shootings in the Forest Kingdom.
SPONSORED BY :
3:00pm to 4:00 pm: Room A
Filmmakers will have the opportunity to engage with key creatives and crew members who will share insights into the production process of this ambitious and culturally rich co-produced documentary series ‘For the Culture with Amanda Parris’. This interactive session promises to provide a deep dive into the creativity and challenges of filming across diverse locations, including several countries in Africa, the Caribbean, the UK, various cities in the US, and Canada.
Filmmakers will have the opportunity to engage with key creatives and crew members who will share insights into the production process of this ambitious and culturally rich co-produced documentary series ‘For the Culture with Amanda Parris’. This interactive session promises to provide a deep dive into the creativity and challenges of filming across diverse locations, including several countries in Africa, the Caribbean, the UK, various cities in the US, and Canada.

Fonna Seidu
Associate Producer
Fonna Seidu burst onto the film industry in 2018 with a multi-award winning short film PROMISE ME. Through her company Snail Mail Media, she’s since worked on 80+ projects including CSA award winning BEING BLACK IN TORONTO and CBC Gem’s VIRGINS! Her recently produced documentary, BIG FEMININE ENERGY, is available on CBC’s Passionate Eye released in fall 2025. She PM’d numerous projects ranging in size and scale including the upcoming feature doc LILITH FAIR: BUILDING A MYSTERY (dir: Ally Pankiw) with Dan Levy’s Not a Real Production Company / Elevation Pictures, the upcoming DEGRASSI: WHATEVER IT TAKES (featuring subjects like Drake, Kevin Smith) with Wildbrain and Peacock Alley, S2 of OYA Media Group’s FOR THE CULTURE with Amanda Parris, the CSA-Winning CityTV doc series BLACK COMMUNITY MIXTAPES, and HARDER, BETTER, FASTER, STRONGER for CBC’s Passionate Eye.

Florence M. Rosalie
Travel Coordinator
Florence is a poet, screenwriter, and director who grew up in Montreal-Tiohtià: ke. She holds a master’s degree in creative writing from the University of Montreal and entered filmmaking through production coordination and project management. She has completed fiction and non-fiction writing residencies with organizations such as Black on Black Film, the Phi Centre, and House Conspiracy Brisbane. Her work generally explores, in intermedial form, the intersections of neo-paganism, post-colonial feminism and, always, hybrid identity from a diasporic perspective.
SPONSORED BY :
Filmmakers will have the opportunity to engage with key creatives and crew members who will share insights into the production process of this ambitious and culturally rich co-produced documentary series ‘For the Culture with Amanda Parris’. This interactive session promises to provide a deep dive into the creativity and challenges of filming across diverse locations, including several countries in Africa, the Caribbean, the UK, various cities in the US, and Canada.
Filmmakers will have the opportunity to engage with key creatives and crew members who will share insights into the production process of this ambitious and culturally rich co-produced documentary series ‘For the Culture with Amanda Parris’. This interactive session promises to provide a deep dive into the creativity and challenges of filming across diverse locations, including several countries in Africa, the Caribbean, the UK, various cities in the US, and Canada.
3:00pm – 4:00 pm: Conference Room B

Gabriel Joseph
Editor
Gabriel Joseph is a Montreal-based video editor and creative storyteller passionate about bringing powerful narratives to life. With a background in performance and production, he approaches each project with dedication, creativity, and care. He was excited to be able to contribute in telling the meaningful stories of the people who took part in this season of For The Culture.

Sonia Godding Togobo
Editor
Sonia Godding Togobo is a 2025 Canadian Screen Award–nominated editor, director, and storyteller with over 25 years of experience in the industry. Her editing work has shaped award-winning documentaries such as “Mr. Jane and Finch”, “Shella Record – A Reggae Mystery”, and “A Mother Apart”. With over a hundred hours of broadcast credits on networks like CNN, CBC, and BBC, Sonia has helped craft critically acclaimed projects including “Revenge of the Black Best Friend” and “Underground Railroad: The Secret History”.
Her directorial debut, “Adopted ID”, premiered at BFI and Hot Docs’ Bloor Cinema, exploring identity and belonging through a deeply personal lens. Most recently, she directed “Answering the Call”, a powerful one-hour documentary for Citytv that traces the origins of Toronto’s community-led Crisis Service. Through her rich and diverse body of work, Sonia is committed to telling stories that spark curiosity, challenge systemic injustice, and inspire meaningful change.

Obed DeJean
Additional Editing
Obed Dejean is a Montreal-based filmmaker, editor, and cinematographer with a background in visual storytelling that bridges art direction, documentary, and post-production. He’s interested in how visual style and structure can shape the way stories are felt and understood. His work often explores the relationship between people and their environments, human nature, and moments that feel lived-in and honest. Music and scoring also play an important role in his edits, often guiding rhythm, tone, and emotional flow.
SPONSORED BY : 
Filmmakers will have the opportunity to engage with key creatives and crew members who will share insights into the production process of this ambitious and culturally rich co-produced documentary series ‘For the Culture with Amanda Parris’. This interactive session promises to provide a deep dive into the creativity and challenges of filming across diverse locations, including several countries in Africa, the Caribbean, the UK, various cities in the US, and Canada.
Filmmakers will have the opportunity to engage with key creatives and crew members who will share insights into the production process of this ambitious and culturally rich co-produced documentary series ‘For the Culture with Amanda Parris’. This interactive session promises to provide a deep dive into the creativity and challenges of filming across diverse locations, including several countries in Africa, the Caribbean, the UK, various cities in the US, and Canada.
3:00pm – 4:00 pm – Conference Room D

Pacinthe Mattar
Researcher
Pacinthe Mattar is an independent journalist, writer and producer. Born in Egypt and raised between Canada, Saudi Arabia and the U.A.E, she spent a decade at the Canadian Broadcasting Corporation producing for national TV and radio programmes. She received a National Magazine Award for her 2020 article “Objectivity Is A Privilege Afforded to White Journalists.” She was the 2022 Martin Wise Goodman Nieman Fellow at Harvard University, and the 2023 Asper Fellow in Media at Western University. She was a story producer for seasons 1 and 2 of For the Culture, and was also part of the team behind VICE’s Dark Side of Reality TV docuseries. She is this year’s St. Clair Balfour Journalism Fellow at Massey College.

Saman Malik
Director
Saman Malik is an award-winning director, producer, and writer whose work blends investigative rigor with cinematic storytelling, across genres.
Saman directed, wrote, and produced the first season of For the Culture with Amanda Parris, earning three Canadian Screen Award nominations, including Best Writing, and a win for Best Direction. Her documentary Big News, exploring the erosion of trust in media, was nominated for the Donald Brittain Award for Best Social/Political Documentary. At CBC’s flagship investigative program, The Fifth Estate, she spent years uncovering stories that exposed injustice and sparked national debate, from solitary confinement to Canada’s rental crisis.
Saman’s work has been recognized by the Governor General’s Michener Awards Foundation, the Gracie Awards, RTDNA, and the Academy of Canadian Cinema & Television. She holds a BFA from Concordia University and a Master’s in documentary filmmaking from Columbia University’s Graduate School of Journalism.

Gabrielle Zilkha
Story Editor
Gabrielle Zilkha is an award-winning film and television writer, director, host, comedian, and organizational leader. To keep it simple at dinner parties, she just says, “I work in sales.”
Her directing credits include co-creating the national ballroom competition series CBX: A Canadian Ballroom Extravaganza (CBC, 2022), Queering the Script (Shaftesbury/Hollywood Suite, 2019), a documentary on queer TV fans turned activists; and Doing Jewish: A Story From Ghana (Vision TV, 2016), a feature doc about a small Ghanaian community reconnecting with its Jewish roots. She most recently contributed as a writer and story editor to For The Culture with Amanda Parris S2. Her short comedy, Stop Calling Me Honey Bunny (2013) was shortlisted for the Iris Prize.
A passionate community builder, Gabrielle co-founded the Trans Film Mentorship, serves on the board of Inside Out, and designs career pathway programs for BIPOC and 2SLGBTQ+ creatives with POV, the CEE Centre for Young Black Professionals, and United Way.
SPONSORED BY : 
4:00 pm to 5:00 pm
A candid discussion on the mental, physical, and emotional toll of the industry, presented with AFBS.
This panel explores the real-life mental, physical, and emotional toll that screen-based creatives—especially Black, Indigenous, and racialized artists—face behind the camera and beyond the frame. From experiences of on-set trauma, systemic barriers, burnout, and financial precarity, to navigating gender affirmation, addiction, and access to care, this session looks at how wellness is foundational to creativity and cultural impact.
In collaboration with AFBS, this panel will also highlight resources available to support the screen-based community through:
- HAVEN: 24/7 incident response and trauma-informed counseling.
- MFAP: Assistance for individuals and families navigating work-life wellness.
- Virtual Medicine & Gender Affirmation Support.
- Addiction, Housing, and Extended Health Benefits.
Through lived experience, expertise, and actionable solutions, this panel will shine a light on the urgent need for sustainable, community-informed wellness strategies in the industry.
Moderator

Gail Haupert
Gail Haupert is the Director of Contracts & Production at ACTRA Toronto, where she leads both the Commercial and Film/Television departments with a focus on protecting and advancing the rights of professional Canadian Performers.
With over 18 years of experience in labour relations and contract negotiation, she is a trusted expert in the interpretation and administration of Collective Bargaining Agreements. Gail is known for her strategic thinking, collaborative leadership, and ability to resolve complex industry challenges.
She plays a key role in bargaining, drafting contract language, and guiding a strong, dynamic team committed to securing and protecting union work. Gail has also led efforts in developing AI language and policy, ensuring performer protections keep pace with emerging technologies.
Panelists

Sonya Ballantyne
Sonya Ballantyne (she, they) is a Swampy Cree writer, filmmaker, and speaker based in Winnipeg, Manitoba. Her work explores contemporary and futuristic portrayals of Indigenous women and girls. Her award-winning projects include the documentary Nosisim (2024 Barry Lank Award) and the graphic novel Little by Little (In The Margins, 2025 Top Ten Title). Her film The Death Tour screened at Cannes in 2023 with a world premiere at the Slamdance Film Festival in 2024.

Aisha Evelyna
Aisha is a Toronto-based actor and filmmaker of Caribbean descent dedicated to amplifying underrepresented voices. In 2024, she won a Canadian Screen Award for Best Performance in a Web Program or Series for THE DROP, which she also co-created, wrote, directed, and starred in. The series, now streaming worldwide on Tubi, earned five nominations, including Best Direction for Aisha. Her debut feature film SEAHORSE, a 2022 Telefilm Talent to Watch recipient, is currently in post-production and awaiting its world premiere. In the film, Aisha stars opposite Joseph Marcell (The Fresh Prince of Bel-Air). Named a “Screenwriter to Watch” by the Austin Film Festival and MovieMaker Magazine, Aisha’s short ALEX(2022) premiered at HollyShorts, screened at Austin, and became a Vimeo Staff Pick in 2023. Her recent acting credits include Really Happy Someday (TIFF ’24), Rabbit Hole (Paramount+), and the upcoming Slo Pitch (Shaftesbury/Crave)

Nadine Valcin
Nadine Valcin is an award-winning bilingual filmmaker and media artist whose practice spans documentary, experimental and narrative film as well as installation and virtual reality. Her work explores questions of memory, identity and language. She has directed four documentary projects for the National Film Board of Canada, including the critically acclaimed Black, Bold and Beautiful (1999) and Une école sans frontières (A School Without Borders, 2008) and is currently completing a fifth project about the housing crisis. Her most recent the feature documentary Simply Johanne recounts the fascinating life of Black actor and model Johanne Harrelle.
Nadine has been awarded numerous grants and prizes including two prestigious Chalmers Arts Fellowships and a Drama Prize from the National Screen Institute for the short film In Between. She holds a professional degree in architecture from McGill University and an MFA in Digital Futures from OCAD University. She has been an artist in residence at Osgood Hall Law School at York University and at Library and Archives Canada through under the auspices of Archive/Counter Archive. She is a professor in the Bachelor of Film and Television program at Sheridan College.
ABOUT THE EPIC SYMPOSIUM AND CREATING CONNECTIONS 3.0
November 25 – 27, 2025
Canadian Broadcasting Corporation, 250 Front St. W, Toronto
DOC Institute’s EPIC Symposium and CBC and BIPOC TV & Film’s Creating Connections have joined forces to bring together the boldest creators, producers, and decision-makers in Canada’s film and media industry for three days of unstoppable energy, fresh ideas, and game-changing connections.
This free three-day event is for creatives from underrepresented communities, including Indigenous, racialized, 2SLGBTQ+ and/or persons with a disability.
ABOUT EPIC SYMPOSIUM
The EPIC Symposium is an innovative, three-day event bringing together equity-driven organizations that champion diverse voices in the documentary and filmmaking communities. The event is organized by DOC Institute in collaboration with the Black Screen Office, Canadian Independent Screen Fund for BPOC Creators, OYA Black Arts Coalition, and the Racial Equity Media Collective.
This unique gathering, inspired by the Creative Producers Think Tank, is designed to spark thought- provoking conversations and effect ongoing change within the film and documentary producing landscape. Through panels, workshops, and networking events, the EPIC Symposium creates space to connect, collaborate, and lead the charge toward a more inclusive industry.
ABOUT CREATING CONNECTIONS
Creating Connections is a collaboration between CBC Entertains and BIPOC TV & Films. Now in its third iteration, Creating Connections 3.0 aims to create a space for filmmakers from underrepresented communities to connect with the CBC, build community, and facilitate connections with the industry at large.
